(No) Laughing Matter 138 Pounds in My Pocket 1983 2,000 Terrorists 25 Kilometres 25 Thousand Tents or More 33 Days 443 5 Minutes From Home 60 Units of Time 9 Star Hotel A Boy, A Wall, and A Donkey A Day in Palestine A Grin Without a Cat A Handful of Earth A Journey A Palestinian Mural A Palestinian Woman A Plate of Sardines A Space Exodus A Summer Not to Forget A Wall is a Wall is a Wall� Abu Jamil St. Al Amari (After the Rain) All That Remains Amani (My Dream) American Radical Animation Collection Aqabat Jaber: Peace Without Return? Arna's Children Around Arthur Balfour and Me 'Arus el Jaleel (Bride of Galilee) As the Poet Said Ashkenaz Back to One's Roots Be Quiet Bethlehem Bandolero Bil'in Habibti (Bil'in My Love) Birth British Colonial Film in Palestine British Colonial Film in Palestine, 1917 to 1947 British Colonial Film in Palestine: 1917 to 1947 Channel Al Duwara Chic Point Children of the Revolution Detail Dial H I S T O R Y Diaries Diary of a Male Whore Dirty Pictures (Hotel Diaries 7) Displaced Lives Divine Intervention Don't Touch My Holocaust Drying Up Palestine Easy, Easy Edward Said in Conversation, 1986 Edward Said: The Last Interview Eid End of September Escape Everywhere was the Same Exit Far From Vietnam Fatenah First Lesson First Picture Fix Me Flower Seller For Cultural Purposes Only Ford Transit Forget Baghdad Free Running, Gaza Friendship's Death Galoot Gao Rang (Grilled Rice) Gaza Hospital Gaza Strip Gaza: Another Kind of Tears Gaza�s Winter Genet in Chatila Girls and the Sea Goal Dreams God on Our Side Going for a Ride Good Morning Jerusalem Hamoudi and Emil Haneen Happy Days Hard Ball Hasan Everywhere Home House Salad (Salata Baladi) I Am Ghazza I am in Jerusalem Ici et Ailieurs(Here and Elsewhere) If U Say Yes Or If U Say No Impermanent In Between In Place: 4 Returnees from the Leba In The Ninth Month In the Spider's Web In Working Progress Inshallah Beijing Intifada NYC Into The Belly Of The Whale Introduction to end of an Argument Israel Ltd. Izkor: Slaves of Memory Jaffa: The Orange�s Clockwork Jawhar Al Silwan Je Veux Voir (I Want to See) Jenin, Jenin Jerusalem on the Messenger Jerusalems: The Borderline Syndrome John Berger Reads Ghassan Kanafani Journey 110 Just Forbidden Kamkamah Kings and Extras La Terre Parle Arabe Lacan Palestine Laila's Birthday Land Confiscation Order 06/24/T Last Days in Jerusalem Leila And The Wolves Leila Khaled: Hijacker Lemonade Lesh Sabreen? Ligne Verte (The Green Line) Like Twenty Impossibles L'Olivier (The Olive Farmer) Lost Land Mafateeh Make a Wish (Itmanna) Man Without a Cell Phone Manshiyya Masarat (Travels): Collection Massakar Matzpen: AntiZionist Israelis Measures of Distance Meet Me Out of the Seige Memory of the Cactus Milky Way Missing My Father From Haifa My Heart Beats Only for Her My Land My Land My Name Is Ahlam My Palestine Naim and Wadee�a Naji el Ali: An Artist With Vision NAKBA: Palestine, 1948 Niether Here Nor There No Way Through Not in My Garden Notre Musique Occupazion Of Flesh and Blood Offside Open Heart Organised Chaos Our Kuffiyyah in London Out of Place � Memories of Edward Out of Place Out of Time Palestine Blues Palestine in Fragments Palestine in the South Palestine Post 9/11 Palestine Remembered Palestine, Summer 2006 Palestine: A People's Record Palestines Paradise Now Pasolini Pa* Palestine Penelope Perforated Memory Planet of the Arabs Pomegranates and Myrrh Port of Memory Private Private Investigation Promised Lands R:Existence Rachel Rainbow Rana's Wedding Recognized Recycle Reel Bad Arabs Return to Haifa Rico in the Night Route 181: Fragments of a Journey Salt of This Sea Sand Creek Equation Save and Burn SBARA Sedition Sense of Need Shadi in the Beautiful Well Shadow of Absence Shout Since You Left Six Floors to Hell Smile! You Are in South Lebanon Soraida: A Woman of Palestine Soup Over Bethlehem (Mloukhieh) State of Siege Still Life Stories From Behind The Wall Stranger in My Home Take Me Home Targeted Citizen Tears of Gaza Tension Terrace of the Sea Territories The Arson Continues The Beautiful Language The Choice The Clothesline The Colour of Olives The Concrete Curtain The Dream The Dupes The Fourth Room The Iron Wall The Kingdom of Women The Last Supper: Abu Dis The Lobby The Long Night The Nakba Archive (Selections) The Problem (El Problema) The Qalandiya Report� The Red Army / PFLP: Declaration of The Roof The Secret World The Seventh Dog The Shooter The Silent War: Israel�s Blockade o The Sister and her Brother The Specialist The Time That Remains The USA vs Al Arian The View The Well The Zoo There is Still Ka'ek on the Sidewal They Came From the East They Do Not Exist This Is My Picture When I Was Dead This Way Up Thorns and Silk Thyme Seller Ticket From Azrael To My Father To Shoot an Elephant Tunnel Trade Untitled Part 3B Videomappings: Aida, Palestine Waiting We Began By Measuring Distance We Like Life Tomorrow Welcome to Hebron Welcome to Inspection Point Welcome to Shatila West ... East West Beruit What Everybody Knows What's Next? Wilders: The Movie Women Beyond Borders Women in Struggle Women in the Stadium Women's Testimonies of the Nakba Writers on the Borders X Mission Yala to the Moon Yani Intifada Yasmine Tughani (Yasmine's Song) Yellow Mums Zahara Zindeeq
Directed by | Mahmoud al Massad Genre documentary | Length: 80mins | Year of production: 2007 �What makes a terrorist?� In Zarqa, Jordan�s second largest city, this is a muchdebated question. Zarqa�s political Islamists are a force here and Zarqa was the birthplace of Abu Musa al Zarqawi, leader of Al Qaeda in Mesopotamia until he was killed by US forces in 2005. Many here knew al Zarqawi and Zarqa continues to be a source of recruits to the jihad. Inspired by his news reporting on al Zarqawi and Al Qaeda, filmmaker Mahmoud al Massad returns to Zarqa, where he grew up, to make Recycle. With ravishing cinematography, al Massad charts the daily life of a devout man trying to survive in one of Zarqa�s poorest neighbourhoods. The film slowly unravels the hidden agents of terrorism as poverty, humiliation, lack of opportunity and religious doctrine define the daily rhythms of a man and his family, against the back of an age of jihad that spans the globe. In contrast to the dramatic daily headlines about Islam and the �war on terror�, Recycle suggests that evil acts can emerge from the most ordinary of circumstances.